The New Yorker

“Docx has a gift for assessing ‘the exact shape and weight of other people’s inner selves, the architecture of their spirit’ and even his most ancillary characters flare into being, vital and insistent.”

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The Guardian

“Docx’s ability to evoke the atmosphere of a city is almost Dickensian … He can place you in each hot-stopping moment, speed up and slow down time form one sentence to the next.”

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The Washington Post

“Pravda is a book on fire. Edward Docx’s novel is written with a mastery and passion that summon up Dickens and Dostoevsky … a novel so vivid it glows in the dark—like truth.”

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The Financial Times

“Edward Docx does not just provide a realistic description of the St Petersburg, but allows the reader to experience it – with all its beauty and cruelty, similar to the style of Dostovesky”

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Boston Globe

“The Calligrapher could be described as a romance of sorts, but that doesn’t do justice to a novel that is as intelligent and sophisticated as it is light and funny.”

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The Times

“Docx’s narrative is utterly compelling … this is partly due to his keen sensibility for the complexities of love, sex and art and partly to his sardonic eye for bourgeois life … a smartly written novel.”

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The Los Angeles Times

“In the end, The Calligrapher is a racy and stylish tale of comeuppance that is nearly Donnean in its density: Docx’s prose and plot continually double back on themselves in the way that Donne’s poems knot up like little erotic

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The Financial Times

“Docx is a talented story teller … he delves into the internal world of his heroes and his perceptiveness and precision allow him to create memorable images.”

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Kirkus Reviews

“Docx writes densely and intelligently about complex relationships among complicated people. As in his previous book the final twist is a stunner, both totally unexpected and carefully prepared for.”

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Independent on Sunday

“A romantic comedy of unusual depth and darkness. It combines the pleasures of traditional romantic comedy with the precision and intellectual capabilities of early Julian Barnes.” 

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The Harvard Crimson

“Docx has a stunning talent for communicating the essence of a person, group, or place in a single brushstroke that’s incisive, sometimes strange, and always evocative.”

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The Seattle Times

“Docx is a smart and farcical writer, with some delicious turns of phrase. There’s no doubt that there is considerable and even ferocious talent a-bubble here”

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The Spectator

‘Docx is a master of disquiet, and brilliantly captures the bewildering effect of the forest in this immensely intelligent novel.’

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Metro

“An unusually intelligent thriller that refuses to take sides … Conrad would have rather enjoyed it.”

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